Thursday, March 16, 2017

Blog Post #8

Toucan Gallery Visit


Functional considerations:
  • Has traffic flow been planned for in the gallery space?
    • Traffic flow has been planned for this space. I have been here during artwalks and although it can become crowded rather quickly, traffic seems to run smoothly throughout the facility. 
  • How has the space been designed to serve multiple purposes (frame shop; openings; boutique, etc.)? Do you see any potential problems with traffic flow or the exhibition of artworks? If so, what are they?
    • The owners of Toucan have designed a shelving system to display artwork, which I think is genius. Rather than having to hang up artwork every time an artist sends in new artwork, they place it on shelves at the front of the gallery so it is the first thing you notice when you walk in. Aside from the many ceramic art they have on display too. The space serves three main purposes: Art display, boutique, and framing. 


Formal considerations:
  • Describe the typographic aesthetics: evaluate its effectiveness. How do the choices of fonts, etc. on the signs and signage complement or detract from the artwork?
    • Due to the diversity of products the Toucan sells, there is no typographic aesthetics that detracts from the artwork. There is much to take in and observe. They mainly have one sign with the business name located in the very front display.
  • Is there visual unity of elements/components within the displays in the gallery space and within the window displays? Explain why or why not? Is there a clear information hierarchy throughout? If so, how is this achieved?
    • I noticed there is not much signage that reminds you that the establishment is called the Toucan Gallery. They do have small business cards and stickers by the registers next to the framing part of the gallery.
  • Does the gallery seem to have a visual style? If so, describe it. Is it appropriate to the type of gallery this is? Why or why not?
    • It is evident that the Toucan features specific artists that are very colorful and full of life. While they are not a typical Montana Western art gallery, they do feature some western designs such as horses, mountains, copper fish, etc. They are very diverse in their selection which includes a variety of wearable art like scarves, jewelry, and hats. 
Conceptual considerations:
  • Describe the overall message of the gallery (as you understand it) in one sentence. You may wish to refer to the gallery website.
    • Toucan Gallery offers a variety of attainable artwork made from local artists of Montana.
  • Does the organization of the work in the gallery have a linear sequence (a beginning and ending point), or is it a fluid sequence (the visitor can start at any point in the exhibit and move to any other point?)?
    • The gallery has a fluid sequence, in which a patron can enter the space and move about as they please. 
  • Is the type of sequence effective? If not, how would you improve it?
    • Sometimes it seems as though there is so much to look at and is exciting when you turn around and see another display you may have missed and can go back and explore through the gallery some more. 



Visitor observations:
  • What do you believe would be the most and least popular aspects of this gallery space for visitors under the age of 25?
    • The most interesting aspects of this gallery space for a visitor under 25 would most likely be the smaller ceramics, hand made cards, scarves, or hats. The jewelry would be too but might be moderately expensive. Least popular aspects would be buying artwork. Since most 25 year olds may or may not be extremely wealthy to afford a $500 painting or work of art. 
  • What are the most and least popular aspects of this gallery for visitors over the age of 25?
    • I imaging everything about the establishment would be popular for someone over 25. There's not even a least popular aspect I would imagine either. 
  • Can visitors share their experiences of the art with others, or are they designed to be individual artistic experiences? Explain.
    • Yes, and yes. Everything about the Toucan is an artistic endeavor! 
  • If you could change one thing in this gallery space, what would it be? Why?
    • I would change the layout of the entire space. I understand it is an old building that is also historic. But the layout obstructs their capability to house more art. If they had a separate room for framing with a workshop for it next to it as well, I think they would be able to house more art and boutique product. 


Friday, March 3, 2017

Blog Post #7

Artist Letter of Agreement:


1500 University Drive
Billings, MT 59101-0245
Northcutt Steele Gallery
Leanne Gilbertson, Gallery Director
Liberal Arts Building; Rm 100
406-657-2903
Leanne.Gilbertson@MSUBillings.edu

Dear Deborah:
Thank you for agreeing to exhibit your work at the Northcutt Steele Gallery. 
Below is the agreement for your visit. Also included is a contract for your agreement. Please read these over carefully and contact me should you have any questions or concerns. 
If all is on order, please sign and date these and return them to me no later than May 1, 2017.
Thank you,
Leanne 

Artist Agreement
  • Artist Name: Deborah Bright
  • Address: Pratt Institute, Dept. of Fine Art; 200 Willoughby Avenue; Brooklyn, NY 11205
  • Phone: (401) 345-6734
  • E-mail: dbrightnyc@gmail.com
  • Delivery Date: September 1, 2017 (to be received by gallery no later than)
  • Return Date: October 26, 2017 (to be returned to the artist no later than)
  • Exhibition Date: September 6, 2017 through October 19, 2017
  • Reception Date: September 7, 2017

Insurance: Work exhibited at the Northcutt Steele Gallery will be insured for the wholesale value against theft, loss, or damage incurred while on the Montana State University Billings campus. This does not include damage due to faulty craftsmanship or damage incurred before receipt of artworksMontana State University Billings is responsible for damage incurred during return shipping if an insured bonded carrier such as UPS, Fed Ex or a professional art handler ships the work.
Inventory: The gallery must receive a signed insurance/inventory list detailing title, description (size, media), date and value of the work to be exhibited, prior to the artist shipping of the artwork.
Shipping: The artist will provide shipping of the work to the gallery and the gallery will make arrangements for return of work as mutually agreed upon.
Sales: A twenty-five percent (25%) commission fee will be retained from all works sold during the exhibition.
Compensation:
  • The artist will be paid an honorarium of $600 for two class presentations and a public conversation with an artist reception immediately following on September 7, 2017.
  • The artist will receive a consulting fee of $200 for her work over the course of three days (approx. 3 hours/day).
  • The artist shall perform these services and the University shall not pay any assistants or substitutes to the artist in their performance under this agreement.
  • The payment for these services shall be made within 30 days of completion of services, and upon artist’s submission of W-9 if a US taxpayer.
Lodging: Montana State University Billings Northcutt Steele Gallery shall book and pay for three nights (9/7, 9/8, 9/9lodging in a hotel of our choice. 
Meals: The artist will not be provided with meals during the visit.
Artist’s work may be photographed during the exhibition for publicity purposes. Work may also be photographed by amateur and students photographers for educational use.

ARTIST 
Signature: _______________________________________
Name: _Deborah Bright____________________________
Title: _Being and Riding____________________________
Date: ___________________________________________

MONTANA STATE UNIVERSITY BILLINGS
Signature: ______________________________________
Name: _Leanne Gilbertson_________________________
Title: _Northcutt Steele Gallery Director_______________
Date: __________________________________________

 

 
Exhibition Contract

AGREEMENT made as of the 1st day of May, 2017 between Deborah Bright (hereinafter referred to as the "Artist"), and Northcutt Steele Gallery, Montana State University Billings (hereinafter referred to as the "Exhibitor").

The AGREEMENT as is follows:

1. Creation and Title. The Artist hereby warrants that the Artist created and possesses unencumbered title to the works of art listed and described on the attached Gallery Schedule and has the right to loan these works for purpose of exhibition.

2. Duration of Loan, Manner of Exhibition, and FeeThe Artist hereby agrees to loan to the Exhibitor the works listed on the Gallery Schedule beginning September 1, 2017 and ending October 26, 2017. The exhibitor agrees to exhibit these works for no less than 28 days during this time period as part of the exhibition titled: Being and Riding. Northcutt Steele Gallery hours are 8am-4pm, Monday through Friday. These works shall be exhibited in a solo exhibition.

3. Delivery, Condition, and Care. The Artist shall be responsible for arranging to have the works listed on the Gallery Schedule shipped to the Exhibitor. All costs of delivery (including transportation and insurance) to the Exhibitor shall be paid by the Artist. The Gallery Director and Gallery Professional Practices class will be receiving and ensuring proper handling, storage, and installation of the work. The Exhibitor agrees to transmit a written report to the Artist within five working days of the delivery of the works, specifying their condition and whether they appear in any way in need of repair. Further, the Exhibitor agrees to use the same standard of care for the works as it uses for comparable works in its own collection. The Exhibitor shall return the works by the date specified in Paragraph 2 for the conclusion of the loan. The Exhibitor shall pay for the costs of delivery (including transportation and insurance) of the works back to Artist.

4. Loss or Damage and InsuranceThe Exhibitor shall be responsible for loss or damage of artwork for the duration of the exhibition and until it has been returned back to the Artist. Insurance coverage during transportation to the Northcutt Steele Gallery, MSU Billings, shall be the responsibility of the Artist. Insurance coverage during transportation to the artist from the Northcutt Steele Gallery, MSU Billings shall be the responsibility of the Exhibitor.

5. Use of Work. The Exhibitor hereby agrees that the loan of the works under this Agreement is solely for purposes of exhibition and that no other uses shall be made of the work, such as uses including but not limited to commercial exploitation, broadcasts, or other reproduction. The Exhibitor further agrees that the works shall be kept at the following location: Northcutt Steele Gallery, MSU Billings, and shall not be moved or displayed elsewhere without the express, written consent of the Artist.

6. Condition of Work (Framing, Installation, Cleaning, and Repairs)The Artist shall be responsible for delivering undamaged, ready for display artwork to the Exhibitor by the agreed delivery date. The Exhibitor shall not be responsible for proper installation of work that is not properly framed, wired, mounted, etc. All framed artwork must have a secure wire on the back and all three-dimensional work should have a sound base. In the event special installation is required for the display of any work, the labor and equipment involved shall be outlined in the Gallery Schedule and paid for by the Artist. Exhibitor agrees that the Artist shall have sole authority to determine when cleaning or repairs are necessary and to perform them him/herself.

7. Copyright, Reproduction, and Promotion. The Artist reserves all reproduction rights, including the right to claim statutory copyright on all works on the Gallery Schedule.

The Exhibitor will provide an exhibition postcard. The Artist should provide an acceptable, print-ready digital image (300 dpi, 5”x7”, jpeg or jpeg with longest dimensions between 2100 and 3500 pixels) for reproduction at least 6 weeks before the opening of the show. The Exhibitor will make every effort to provide color postcards for the Artist. The Artist is also responsible for providing the Exhibitor two (2) copies of an Inventory List of the artworks that will be shown, including title, medium, price (for insurance purposes), and dimensions. 
Six weeks before the exhibition opening, the Artist shall also provide the Exhibitor with a short Biography paragraph, Artist Statement, and Resume for exhibition and promotional purposes. If desired, the Artist may provide the Exhibitor with a list of 25 names (consistently formatted) to be included within the mailing of the announcement postcards. The Exhibitor will also provide 25 cards to the Artist prior to the opening that the Artist may choose to mail. The Artist will note that the bulk mailing label located on the postcard that says “postage paid” is a bulk mailing label that used by the university and will need to affix postage. 
8. Right to Refuse works not listed in the scheduleThe exhibitor shall retain the right to refuse for inclusion in this exhibition any work that has not been listed in the schedule of artworks.
9. Notices and Change of Address. All notices shall be sent to the Artist at the following address: Pratt Institute, Dept. of Fine Art; 200 Willoughby Avenue; Brooklyn, NY 11205, and to the Exhibitor at the following address: Northcutt Steele Gallery; 1500 University Drive; Billings, MT 59101. Each party shall give written notification of any change of address prior to the date of said change.

10. Governing Law. This Agreement shall be governed by the laws of the State of Montana.

IN WITNESS WHEREOF, Deborah Bright and Northcutt Steele Gallery, Department of Art have signed this Agreement as of the date first set forth above.



_________________________________________
NAME OF ARTIST                                            Date          
Artist                                                                  


_________________________________________
NAME OF REPRESENTATIVE                         Date
Northcutt Steele Gallery